Drawing the Word Art in Graffiti Drawing the Word Alissa in Graffiti
Songs From The Road
Take Information technology Like shooting fish in a barrel
On The Road Again
On The Route Again
Artist William DeBilzan finds inspiration in the classic Eagles vocal "Take It Easy" where the songwriter is "Continuing on the corner in Winslow Arizona". The road in DeBilzan's representation is punctuated by the inverted discussion Love; a revealing nod to the song'south story about a homo on the run with only his thoughts to keep him visitor (and bulldoze him crazy) as he ruminates on the 7 women on his mind; "four that wanna ain me, two that wanna stone me, and one says she's a friend of mine".
On The Road Once again
On The Road Again
On The Road Again
Willie Nelson is perhaps best known for his vocal near his love of beingness on the route playing music with his friends. For anyone who has ever lived and loved a traveller's lifestyle, for business or pleasure, you've probably sung along with Willie's jaunty vox every bit it crackles from an quondam staticky radio in the middle of glorious nowhere near rolling greenish fields, nether an orange evening sky. As always, William DeBilzan'southward warm and inviting palette combines with his trademark elongated alone figure to depict united states in to a fourth dimension and place where everything and nothing at all are happening at the same time. Limited edition print.
Born To Run
On The Road Once again
Horse With No Name
LA artist Brayden Bugazzi's masterful collage artistry is on full display with this tribute to The Boss and his trademark song almost our innate desire to pause gratuitous from the bondage that bind usa. A close look at the details of this piece reveals all sorts of hidden treasures relating to all things Bruce Springsteen. Little gems include vintage images of Bruce and the band in the 70'south and 80's, likewise as passages from articles written about Springsteen'southward life, music, and world view.
Horse With No Name
Have Me Dwelling, Country Road
Horse With No Name
The epitome of traveling through the desert on a equus caballus with no name conjures up all sorts of rich narratives to explore. Why the desert? Why a nameless horse? Whatever the details of the mysterious adventure may be, it'south pretty clear that this enchanting song by the band America tells a story about the experience of the journey with no regard for a destination. LA artist Debbie Korbel's scenic sculpture is an aggregation of all sorts of random and cool castoffs from modernistic life, all of which magically come up together to form a horse with no proper name in full glorious stride on a path to wherever the adventure leads.
Accept Me Home, State Road
Take Me Habitation, Country Road
Take Me Home, Country Road
Toronto artist Rob Croxford's photorealistic approach to quondam neon signage is a perfect match for the much loved John Denver song well-nigh finding one's way domicile after a long journey. The vintage, atmospheric condition-worn sign seems to peer out at a driver who travels forth a winding country road. The bulletin in the lyric and the sign is a heartwarming and welcomed reminder to the traveller that the things nosotros love and miss almost home are simply a country road away if we choose to take information technology.
Radar Love
Take Me Home, Country Road
Take Me Home, Country Route
Radar Love is a 1973 hit song by Gilt Earring about a human being driving his automobile to meet a adult female with whom he intends to brand sweet love. Yet information technology's the urgency of the rhythm and tension in the lyrics that makes this i of those sing-out-loud, pedal-to-the-metal driving tunes. Legendary anthology cover artist Paul Whitehead combines his surrealist painting style with a real world dashboard from a 1960 Chrysler Impala to put the viewer in the protagonist's sweat-soaked commuter's seat. Paul takes the idea of having "tunnel vision" to a whole other level!
Riders On The Tempest
Don't Call back Twice, It'due south Alright
Riders On The Tempest
Portuguese creative person Filippo Fiumani attributes his edgy and vibrant pop/graffiti fashion to the skate-surf culture of Los Angeles. As a native of the Urban center Of Angels, Jim Morrison probably would have approved of Fiumani'south colorful stream of consciousness homage to the lyrics of The Doors haunting road song Riders On The Storm. Igniting a powerful and eerie spark of life to the piece, the creative person uses a video eyeball to scan and connect with the faces staring curiously the artwork. Not only does the moving digital eye suggest a living soul embedded into the painted image, only information technology also deepens the mystery backside the illustrated line at Jim'southward temple: "His brain is squirming like a toad".
Planet Caravan
Don't Think Twice, It's Alright
Riders On The Storm
Blackness Sabbath and its iconic frontman Ozzy Osbourne wrote a moody and groovy song virtually a cosmic journey of some sort called Planet Caravan in 1970. Artist Filippo Fiumani establish inspiration in the trippy lyrics and imagined a spiritual connexion betwixt traveling amid the stars and the spiritual journey of a young woman with a gypsy soul. Naked breasts with cherry nipples and massive outstretched hands that embrace a child's comfort toy all play a role in this narrative. The image is full of mystery and dubiousness and yet somehow information technology finds a domicile in the familiar, just like those distant stars in the night sky.
Don't Think Twice, It'southward Alright
Don't Recall Twice, Information technology'south Alright
Don't Think Twice, It's Alright
Bob Dylan's "Don't Retrieve Twice, Information technology'due south Alright" fits perfectly into the theme of road songs as Dylan waxes poetic about the old "dearest 'em and leave em" mentality. Creative person Filippo Fiumani's explosive metaphoric imagery draws inspiration from the song'southward narrative about a man "on the dark side of the road" who is perhaps trying to convince himself as well as his lover that a one night stand up is zero to get hung up virtually. This large format sail is Fiumani at his best as he taps directly into the subconscious with his vibrant, edgy colour palette, vicious brushstrokes, and vandalistic spray paint style that was born from the graffiti street scene.
Stones On Tour
Stones On Bout
Don't Think Twice, It's Alright
LA artist Alyssa Crosby draws from her beginning hand experiences on tour with the Rolling Stones every bit she incorporates VIP memorabilia into her painted cast sculpture. The Stones' iconic lips and tongue logo is synonymous with rock and roll's inherent sexuality. Splashing the image across the cast of nude female model combines the sexuality of mankind and fantasy. Add together to the mix that the guitar picks affixed to the bust were used past actual ring members, and ane can't aid but become excited well-nigh touching something Keith Richards' used to play those trademark riffs in Jumpin' Jack Flash and Satisfaction.
Truckin'
Stones On Tour
Cute Day
"What a long strange trip its been" sums upward then much of the Grateful Expressionless's hippy-trippy ethos. The band is notorious for its 40 plus year circus-like road show and LA industrial pattern creative person Aaron Nelson draws inspiration from The Dead'south classic road song Truckin' in his unique sculpture that doubles every bit a workable light fixture. Mining the industrial scrapyards for pattern materials, Nelson found creative gold in pieces like a road sign, a 1920'south model A break drum, repurposed aircraft hardware, and coolest of all, a bonafide tachometer from an old WWII naval vessel.
Beautiful 24-hour interval
Stones On Tour
Cute Day
Bono, U2'south main lyricist and admired stone poet, has covered some pretty bleak emotional terrain over the years, merely the 2000 hit vocal Cute Day is like a ray of sunshine puncturing through a stormy heaven. Canadian artist Sonja Kobrehel's "naive" artistic way expresses the sentiment of seeing the bright side of life as if her painted image came from the diary of a child on summer vacation. "Information technology's a beautiful twenty-four hour period
Don't let it become abroad". Words to live by.
Dirty Diana
Run Like Hell
Run Like Hell
Michael Jackson's song, Dirty Diana, is a jagged commentary on the Rex Of Pop's interaction with a lascivious groupie who hangs out backstage each night during a bout. LA creative person Donna Isham, known for her sexualized female person expressionist work, takes a more figurative approach this time in order to set the stage for the primary storyline, which is not from MJ'due south indicate of view but rather a third political party who watches the scene unfold from a privileged perspective backstage. Whomever this mystery third party is (perhaps all of u.s.a.) she/he is bearing witness to the "glamorous" life of a celebrity entertainer and the often twisted human relationship they have with their obsessed fans.
Run Similar Hell
Run Like Hell
Run Like Hell
"The Wall" by Pink Floyd has many songs with a theme about escape and being on the run but mode designer Anat Marin chose lyrics from "Run Similar Hell" as inspiration for her original women'southward handbag. The custom blueprint features exquisite details including hand cut and sewn lettering and a collection of colored tassels that represent the color spectrum from a prism which is a nod to the band's iconic album cover design from Dark Side Of The Moon.
Run Similar Hell
Run Like Hell
Captain America
"The Wall" past Pink Floyd has many songs with a theme about escape and beingness on the run but fashion designer Anat Marin chose lyrics from "Run Like Hell" as inspiration for her original women's pocketbook. The custom pattern features exquisite details including hand cutting and sewn lettering and a collection of colored tassels that represent the color spectrum from a prism which is a nod to the band'due south iconic anthology embrace design from Dark Side Of The Moon.
Helm America
Detroit Rock City
Captain America
The 1969 pic Easy Rider is a counter civilization classic that defines the failed hippy American dream. Steppenwolf's "Born To Be Wild" volition forever be associated with scenes of Peter Fonda and Dennis Hopper cruising downwards the highway on their motorcycles, looking absurd and searching for the meaning of freedom. Toronto collage artist Peter Horvath connects the dots between the song and Peter Fonda's iconic "Captain America" persona using imagery that speaks to a time and place in history when the moving picture and soundtrack were part of the social zeitgeist. The artwork fifty-fifty includes a crushed beer tin and a crumpled pack of cigarettes, representing random discards along the highway as 1 is "looking for adventure, or whatever comes my way".
Detroit Rock City
Detroit Stone City
Detroit Rock City
H
Detroit Rock City
Detroit Rock City
Detroit Rock City
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Source: https://song-word.com/the-road
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